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Monday, September 21, 2015

Occult Cosmology of the Universe as per Kashmir Shaivism

Swami Lakshmanjoo was the foremost modern realized saint and teacher of the Trika school of Kashmir Shaivism




In his occult book, "Kashmir Shaivism - The Secret Supreme", he has explained in great details the science, structure and mechanics of creation of Universe. This article will attempt to share and explain in brief some of the fundamental concepts described in this priceless book. 

The Universe is made of 36 tattvas or elements. Out of these, in the order of ascension from the gross to the subtlest (lowest to the highest), 31 of these occult elements are ; 

Panca mahabhutas - 5 great elements
prithvi - earth
jala - water
tejas - fire
vayu - air
akasa - ether

Panca tanmatras - 5 subtle elements

gandha - smell
rasa - taste
rupa - form
sparsa - touch
sabda - sound

Pancakarmendriyas - 5 organs of action
upastha - creative
payu - excretion
pada - foot
pani - hand
vak - speech

Panca jnanendriyas - 5 organs of cognition

ghrana - nose
rasana - tongue
caksu - eye
tvak - skin
srotra - ear

Antahkaranas - 5 internal organs
manas - mind
buddhih - intellect
ahamkara - ego connected with objectivity
prakriti - nature
purusa - ego connected with subjectivity

Sat Kanchukas - 6 coverings
niyati - limitation of place
kaala- limitation of time
raga - limitation of attachment
vidya - limitation of knowledge
kalaa - limitation of action or creativity
maya - illusion of individuality

These 31 elements bind us in the subjective-objective experience of the Universe. The remaining 5 tattvas belong to the highest level of pure subjective yogic experience. Maya or illusion  is the tattva that forms the boundary between these 2 levels of experiences.

Swamiji also explains that there are 118 worlds or Universes that are created out of these 36 tattvas and they are arranged in 5 zones of Kaala or time. These Universes are not in a separate zone or space outside the Creator or Para Brahman but is a self created reflection within it like a Hologram.

In Kashmir Shaivism, the Parabrahman is Lord Shiva. He creates and dissolves the universe with his energies. These are 5 primary energies which are represented in the 16 vowels of the Sanskrit alphabet. This is also the Shiva tattva, the 1st tattva. The remaining 35 tattvas are represented in the consonants of the Sanskrit alphabet. It is collectively known as the Shakti tattva. Sanskrit alphabets therefore represent divine energies.

It must be however remembered that Vedic Sanskrit  around 1800 BC was an oral language with no writing script. It was Panini around 400 BC who created the rules of Classical Sanskrit grammar and thence writing tradition's developed using Brahmi, Sharda and later modern Devanagari script. There is an element of subjective interpretation in the reconstruction of Sanskrit language which implies that no one can claim with 100% certainty how a Sanskrit verse, say in a written redacted (copy) Rig Veda text, is to be accurately pronounced compared to the original spoken verse in around 1800 BC.   

Mantras are a specific combination of the Sanskrit alphabet that are very powerful and effective if chanted in the right pitch, metre, place and time.They derive their power and energy from the sound vibration of the alphabets that are designed to resonate with the frequencies of the divine energies and induce localization of these powerful energies on Earth to achieve their desired end objective. This is still an amazing level of efficacy considering that Sanskrit is an interpreted and reconstructed language. That is why it has been called a Divine Language.

Wednesday, September 9, 2015

Is Dendera "Light Bulb" a depiction of occult practice of Kundalini awakening?



Look closely at the image below. What do you see? Is it a light bulb? Many have claimed that this is a depiction of ancient Egyptian lighting technology.

                                                                 Dendera_light

This article discusses the comparative analysis of the wall relief (image above) in the crypt below Hathor temple (Dendera, Egypt) using the knowledge and concepts of an advanced Vedic/Oriental occult yogic practice and establishes a high level of similarity and functional co-relationship. This leads to the conclusion that there are strong links between the two ancient civilizations and raises questions about the relative historical antiquity and chronology of these civilizations. It also suggests that the ancient egyptian hieroglyphs interpretation may also have a reasonable basis in ancient oriental occult science rather than only Egyptian mythology.   

I have reasons to believe that the wall relief image above depicts symbolically the occult process of Kundalini awakening. 

The figure holding triangular objects in both hands is the egyptian god Thoth or Master of ceremonies who guides and controls the whole process of Kundalini awakening and ascension and maintains “equilibrium” and “balance” (Thoth with the Baboon face represents equilibrium).  
  •  The triangular objects represent quartz crystal that absorb,control and focus Kundalini energy as it rises upwards inside the spine to avoid fatal injury to the vital organs.
The sphere on the head of figure sitting on the block represents activated Crown chakra which is the ultimate destination and receptacle for the fully awakened Kundalini energy. 

  • The figure sitting on the block is “Air God” and represents the use of occult advanced breathing techniques (Pranayama) to activate the dormant Kundalini using specific hand and sitting positions. (Mudra)
Djed, the pillar in front of the air god, represents stability, endurance, steadfastness and its equivalent is the Basic chakra

The tube on the bottom of the image represents the spinal column thru which the Kundalini energy flows upwards. 

The tube starts below the Djed. It implies start point of the Serpent/Kundalini energy which is located at the base of spine and below the Basic chakra as per occult literature.   

The figure of a woman facing the Djed represents “current” or “flow” or “movement” suggesting the Kundalini starts to move upwards like a current. 

The figures facing each other and holding palms represent love, affection and represent the Heart chakra.

The Lotus represents symbolically a Chakra. It is positioned near the groin of the standing figure and implies the Sex chakra

The Snake represents the fully awakened Kundalini energy as it is not coiled

The “Bulb” is the gradual expansion of the power of Kundalini energy as it rises upwards inside the spine and passes thru each major chakra.It also suggests the expansion of the human Aura

On the basis of above interpretation of the image and its constituent parts, it can be concluded with reasonable certainty that this wall relief is a visual and symbolic rendering of the ancient science of Kundalini awakening and its ascension from below the base of the human spine and upwards thru it and finally into the Crown chakra above the head. 
This occult practice is believed to provide access to the inner world and communication with higher divine beings for wisdom, power and guidance. 

This analysis suggests a close link between the ancient Egyptian and the Vedic/Oriental civilizations that may have not been directly evidenced or suggested before.It leads to credible questions regarding the nature of this relationship and the relative antiquity and chronology of these civilizations.  

The functional interpretation of the hieroglyphs shows up parallels with Vedic/oriental occult wisdom science and requires further research and elaboration. This would lead to a greater understanding of the entire body of ancient Egyptian architecture and writing especially the occult hidden wisdom science.