Look
closely at the image below. What do you see? Is it a light bulb? Many
have claimed that this is a depiction of ancient Egyptian lighting technology.
This
article discusses the comparative analysis of the wall relief (image above) in the crypt
below Hathor temple (Dendera, Egypt) using the knowledge and concepts of an
advanced Vedic/Oriental occult yogic practice and establishes a high level of
similarity and functional co-relationship. This leads to the conclusion that
there are strong links between the two ancient civilizations and raises
questions about the relative historical antiquity and chronology of these
civilizations. It also suggests that the ancient egyptian hieroglyphs interpretation may also
have a reasonable basis in ancient oriental occult science rather than only Egyptian mythology.
I have reasons to believe that the wall relief image above depicts symbolically the occult process of Kundalini awakening.
The
figure holding triangular objects in both hands is the egyptian god Thoth or Master of
ceremonies who guides and controls the whole process of Kundalini awakening and
ascension and maintains “equilibrium” and “balance” (Thoth with the Baboon
face represents equilibrium).
- The triangular objects represent quartz crystal that absorb,control and focus Kundalini energy as it rises upwards inside the spine to avoid fatal injury to the vital organs.
The
sphere on the head of figure sitting on the block represents activated Crown chakra which is the ultimate destination and receptacle for the fully awakened
Kundalini energy.
- The figure sitting on the block is “Air God” and represents the use of occult advanced breathing techniques (Pranayama) to activate the dormant Kundalini using specific hand and sitting positions. (Mudra)
Djed, the pillar in front of the air god, represents stability,
endurance, steadfastness and its equivalent is the Basic chakra.
The tube on the bottom of the image represents the spinal
column thru which the Kundalini energy flows upwards.
The
tube starts below the Djed. It implies start point of the Serpent/Kundalini
energy which is located at the base of spine and below the Basic chakra as per occult literature.
The
figure of a woman facing the Djed represents “current” or “flow” or “movement” suggesting
the Kundalini starts to move upwards like a current.
The
figures facing each other and holding palms represent love, affection and represent
the Heart chakra.
The
Lotus represents symbolically a Chakra. It is positioned near the groin of the standing
figure and implies the Sex chakra.
The Snake represents the fully
awakened Kundalini energy as it is not coiled.
The
“Bulb” is the gradual expansion of the power of Kundalini energy as it rises
upwards inside the spine and passes thru each major chakra.It also suggests the expansion of the human Aura.
On
the basis of above interpretation of the image and its constituent parts, it
can be concluded with reasonable certainty that this wall relief is a visual and
symbolic rendering of the ancient science of Kundalini awakening and its
ascension from below the base of the human spine and upwards thru it and
finally into the Crown chakra above the head.
This occult practice is believed
to provide access to the inner world and communication with higher divine beings
for wisdom, power and guidance.
This
analysis suggests a close link between the ancient Egyptian and the
Vedic/Oriental civilizations that may have not been directly evidenced or
suggested before.It
leads to credible questions regarding the nature of this relationship and the
relative antiquity and chronology of these civilizations.
The
functional interpretation of the hieroglyphs shows up parallels with Vedic/oriental
occult wisdom science and requires further research and elaboration. This would lead
to a greater understanding of the entire body of ancient Egyptian architecture
and writing especially the occult hidden wisdom science.
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